Designer & Stylist
Gabrielle Messina
Location
Dillsburg, Pennsylvania
photographer
Kinna Shaffer
 
The Orchard Project
Situated on an old orchard, The Orchards was designed around the rolling countryside it sits in. The material palette is deliberately old: rich walnut, hand-troweled plaster, Carrara marble, local stone and slate, drawn together with clean, modern lines. The house was built for two sensibilities at once — modern and clean for him, traditional and rooted in the past for her — and the work was in letting them share a room without friction. It's a home meant to be lived in for a long time, and built to get better with age.
Entry
The entry runs as a corridor wrapped in warm oak, with floating shelves along one wall and an arched niche that opens to a dark pedestal table. A vintage rug grounds the floor, and the hand-troweled plaster meets the timber in a soft, imperfect seam. The styling stays minimal — a stoneware vessel, a few worn books, a low candle against the near-black table — so the materials carry the space rather than the objects.
Powder Room
The powder room was designed to feel like the inside of a forest canopy, with a hand-drawn botanical wallpaper running floor to ceiling in greens and shadow. Against it we set a honed marble trough sink and wall-mounted fixtures in aged bronze, chosen to deepen over time. The mirror is a found piece, framed in wood and already worn from another life, lit by a single brass sconce. It's clean, cool marble against a wallpaper that doesn't take itself too seriously — utilitarian and beautiful at once, which is exactly the kind of room we like to design.
The Kitchen
Walnut cabinetry anchors the kitchen, paired with a Carrara island that drops to the floor in a waterfall edge. Two opaline schoolhouse pendants hang over the marble, and a row of black stools tucks under the overhang. The details do the work: the walnut against the veining of the stone, brass pulls left to patina, a professional range with brass knobs set into a niche of honed marble. Open shelving and a tucked alcove hold the everyday — stoneware, a glass hurricane, a bottle of Lillet beside a board of figs — so nothing reads as too precious to use.
The Scullery
The scullery is proof that the most utilitarian rooms can also be the best ones. The floor is a checkerboard of slate and honed marble, a classic foundation that only improves with age, and the cabinetry is finished in a bold, saturated green. Brass hardware runs across the drawers, unlacquered and left to soften from bright gold to something warmer over time. Open shelving and glass-fronted uppers hold the working pieces of the house — bowls, books, a little pottery — arranged without fuss.
The Living Room
The living room is built around a wall of local stone that climbs around a blackened, patterned firebox set in a pale, hand-finished surround. We chose velvet swivel chairs in a mossy charcoal, pulled close around a low round table on a neutral rug. Light oak cabinetry flanks the fireplace as a counterpoint to the stone, and a line of terracotta vessels along the mantel ties back to the orchard outside. The palette stays tonal — stone, oak, muted green — and keeps the focus on the view.
The Wellness Suite
The wellness suite was designed as a sanctuary, balancing marble and oak to echo the countryside outside. His-and-her rift-cut oak vanities topped in Carrara anchor the room, and the soaking tub is clad in custom rift-cut oak panels beneath a wall of stacked marble, positioned to look straight out onto the land. The shower is wrapped floor to ceiling in marble and closed off, when wanted, by custom sliding doors that disappear into a concealed track. Beyond it, a cedar sauna lined in tongue-and-groove planking opens to a full wall of glass — a slatted bench, a slate floor, and a clear view of the green hills. It's a room dedicated to wellness and the views, and one you wouldn't be in a hurry to leave.
The Primary Suite
The suite is built around a fully custom bed floated in the center of the room, with nightstands and bedside lighting integrated into the frame so it takes the views on either side; a reeded oak wall runs behind it, and black linen keeps the palette deep against pale plaster. A seating area at the far end — curved bouclé chairs around a low wood table, anchored by a tall black display cabinet — makes the place to wind down. The bath balances marble and oak, with his-and-her rift-cut oak vanities in Carrara and a soaking tub clad in custom oak panels beneath stacked marble, positioned to look out onto the land. The marble shower closes off behind custom sliding doors set in a concealed track, and a cedar sauna lined in tongue-and-groove opens to a full wall of glass and a clear view of the green hills.